Nyonya Needlework: Embroidery And Beadwork In The Peranakan World by Cheah Hwei-Fe'n
Cheah Hwei-Fe'n examines parallel techniques of embroidery, work with gold thread, lace, and drawn needlework in this profusely illustrated catalogue to accompany an exhibition at the Peranakan Museum, Singapore, held from 24 June 2016 to 18 June 2017. In her careful analysis of the techniques associated with Peranakan objects, she reveals a complex network of cultural connections. The various types of needlework were practised by women and men, and drew upon techniques from Europe, India, China, and the Malay world. Religious and secular schools taught the techniques. There are many cross-cultural surprises within: gold embroidery derives not only from European military brocade but from ancient Chinese thread techniques of gold strips wrapped around paper. And many other techniques were long practised in remote islands of the Malay Archipelago.
Inclusive Arts Practice And Research: A Critical Manifesto by Fox, Alice; Hannah Macpherson
Inclusive Arts Practice and Research interrogates an exciting and newly emergent field: the creative collaborations between learning-disabled and non-learning-disabled artists which are increasingly taking place in performance and the visual arts. The authors interview artists, curators and key practitioners in the UK and US. They introduce and articulate this new practice, and situate it in relation to associated approaches. Fox and Macpherson candidly describe the tensions and difficulties involved too, and explore how the work sits within contemporary art and critical theory. The book inhabits the philosophy of Inclusive Arts practice: with Jo Offer, Alice Fox and Kelvin Burke making up the design team behind the striking look of the book. The book also includes essays and illustrated statements, and has over 100 full-colour images. Inclusive Arts Practice represents a landmark publication in an emerging field of creative practice across all the arts. It presents a radical call for collaboration on equal terms and will be an invaluable resource for anyone studying, researching or already working within this dynamic new territory.
Unfettered Ink: The Writings Of Chen Chong Swee by Low Sze Wee (Ed.); Grace Tng (Ed.)
Significant achievements in art notwithstanding, Chen Chong Swee was also a prolific, vivid essayist. His writings-collated here and also translated into English for the first time-range from the value of art education to the responsibilities of the art community, and are imbued with ardour and vigorous clarity. This compilation provides a compelling contribution to our understanding of the artist as a man of unwavering focus, whose thoughts cleaved to the advancement of art.
Rediscovering Treasures: Ink Art From The Xiu Hai Lou Collection by Low Sze Wee (Ed.); Cai Heng (Ed.)
The Xiu Hai Lou Collection is one of the most extensive private collections of ink art in Singapore. This catalogue is published in conjunction with the exhibition Rediscovering Treasures: Ink Art from the Xiu Hai Lou Collection, and captures the stunning breadth of the Collection. Full-colour image plates showcase works which range from the ancient aesthetics of Ming and Qing painting and calligraphy through to the prized masterpieces of 20th-century ink masters, while newly commissioned essays analyse the unique place of the Collection in local art history. Rounding out the catalogue are an exclusive interview with the current custodians of the Collection as well as an exploration of the ecosystem of collecting.
Strokes Of Life: The Art Of Chen Chong Swee by Low Sze Wee (Ed.); Cai Heng (Ed.)
Chen Chong Swee is acknowledged as one of the earliest artists to have explored depicting Southeast Asian scenes within the medium of traditional Chinese ink painting. Published on the occasion of a retrospective exhibition at National Gallery Singapore, this catalogue bears witness to Chen's explorations across the mediums of ink and oil, the influence his immediate surroundings had on his art, and his insistence, above all, that it was impossible to divorce art from life. Full-colour image plates, newly commissioned essays and a biographical timeline of the artist within the catalogue flesh out the inflections of Chen's oeuvre.
Ng Teng Fong Roof Garden Commission: Danh Vo by Toh, Charmaine
From November 2016 to August 2017, Vietnamese-born Danish artist Danh Vo presents a series of compelling new sculptures at National Gallery Singapore as part of his first outdoor installation in Singapore. Vo's work often draws upon personal experience to explore broader historical, social or political themes, particularly those relating to the history of Vietnam at the close of the 20th century. A continuation of his existing practice, this installation explores issues of cross-cultural identity and the definition of cultural values. This is the inaugural exhibition of the Ng Teng Fong Roof Garden Commission series, which invites leading international artists to create site-specific installations at the Ng Teng Fong Roof Garden Gallery, made possible by a gift from the family of Ng Teng Fong. Published to accompany this exhibition, this catalogue delves deeper into Danh's practice and broader discussions surrounding cross-cultural identity through essays by leading scholar Professor Nora Taylor and National Gallery Singapore curator Charmaine Toh alongside full-colour images of the commissioned work.
Kimono Design: An Introduction To Textiles And Patterns by Keiko Nitanai
Kimono Design: An Introduction to Textiles and Patterns uses hundreds of photographs and a wealth of information on colors, fabrics and embellishments to paint a portrait of Japanese culture, art and thought. Lavish classical patterns, sweeping scenes, and the many motifs that have been woven, dyed, painted or embroidered into these textiles reveal a reflectiveness, a sense of humor, and an appreciation of exquisite beauty that is uniquely Japanese. Extensive notes on all the motifs demonstrate how the kimono reflects changing times and a sense of the timeless. Information on jewelry, hairpins and other accessories is scattered throughout to give a fuller sense of the Japanese art of dress. This is a volume that Japanophiles, historians, artists and designers will all cherish.
Eyes Of The Ancestors: The Arts Of Island Southeast Asia At The Dallas Museum Of Art by Schefold, Reimar (Ed.)
Lavish photography and groundbreaking new texts unlock the magic of the island cultures of Indonesia, Malaysia, and East Timor through examples of textiles, sculpture, and metalwork from this prestigious collection. Leading anthropologist Reimar Schefold introduces these texts, which investigate various indigenous art forms from a fresh art-historical perspective. They describe the contexts, purposes, and aesthetic influences of a range of objects, from intricately woven sacred and ceremonial textiles to carved ancestor figures. Also featured are gold and metalwork designs as well as weaponry and jewelry, most dating back more than a hundred years. A 19th-century mouth mask in the collection, from the Leti Islands, is one of only our known to be in existence. Carved in the shape of a bird's head, this wooden mask was used in ritual dances. Other spectacular examples from the collection likewise reflect the beliefs and practices of these island peoples.
Cities And Kings: Ancient Treasures From Myanmar by Murphy, Stephen (Ed.)
Treasures from the national museums of Myanmar, from the World Heritage Site at Pyu, the pagoda-studded plains of Bagan, and from Mandalay, the last royal capital, are examined in this profusely illustrated catalogue. Essays cover the principal archaeological sites of Pyu, Mon, Bagan, Inwa, Shan State, and Mandalay.
Nalanda, Srivijaya And Beyond: Re-Exploring Buddhist Art In Asia by Gauri Parimoo Krishnan (Ed.)
Recent studies of intra-Asian trade and Buddhist networks have brought fresh perspectives to the understanding of the pre-modern interaction between South and Southeast Asia. Through centuries of selective adaptation and localization of intellectual, cultural, aesthetic, and economic exchanges Buddhist art in Asia has continued to thrive. Fresh research and archaeological data help locate centres of exchange which catalysed the process of localization. This collection of essays, based on a conference held in conjunction with On the Nalanda Trail: Buddhism in India, China and Southeast Asia, an exhibition organized by the Asian Civilisations Museum in Singapore, is a re-exploration of Buddhist art, archaeology, and epigraphy. Focussing on ancient monastic centres and temples such as Nalanda, Mainamati, Kizil, Kedah, Dulesi, and Longxingsi Dabeige, papers in this volume offer newer perspectives on aspects of text-image-inscription correlation. This volume is an attempt at interdisciplinary study of cross-cultural trails that lead to localized Buddhist practice patterns and artistic diversities.
We Love Serangoon Gardens - Urban Sketchers Singapore by
Home to the beloved Chomp Chomp Food Centre and the iconic Serangoon Gardens Circus, Serangoon Gardens has been designated an "identity node" by the Urban Redevelopment Authority since 2013. Its distinctive charm is derived from its rich heritage that seeps into its thriving present. With the artists from Urban Sketchers Singapore, we journey through this quiet and laidback suburban estate, where nostalgia and modern convenience seamlessly blend, resulting in a unique atmosphere that is unlike anywhere in Singapore.
Retrospective: A Historiographical Aesthetic In Contemporary Singapore And Malaysia by Yap, June
Developed as an exploratory study of artworks by artists of Singapore and Malaysia, Retrospective attempts to account for contemporary artworks that engage with history. These are artworks that reference past events or narratives, of the nation and its art. Through the examination of a selection of artworks produced between 1990 and 2012, Retrospective is both an attribution and an analysis of a historiographical aesthetic within contemporary art practice. It considers that, by their method and in their assembly, these artworks perform more than a representation of a historical past. Instead, they confront history and its production, laying bare the nature and designs of the historical project via their aesthetic project. Positing an interdisciplinary approach as necessary for understanding the historiographical as aesthetic, Retrospective considers not only historical and aesthetic perspectives, but also the philosophical, by way of ontology, in order to broaden its exposition beyond the convention of historical and contextual interpretation of art. Yet, in associating these artworks with a historiographical aesthetic, this exposition may be regarded as a historiographical exercise in itself, affirming the significance of these artworks for the history of Singapore and Malaysia.
Reading Chinese Painting: Beyond Forms And Colors, A Comparative Approach To Art Appreciation by Law Suk-Mun, Sophia
With fascinating commentary and beautiful artwork this Chinese art history book allows readers to better interpret and understand traditional Chinese painting. Applying a comparative approach to Chinese and Western art, this art book examines the characteristics of traditional Chinese art and analyses the distinction between figure painting and portraiture. It examines the scenery in Chinese landscape painting and the sense of poetry within the paintings of flowers and birds so that the reader comes to understand the unique essence of Chinese art and is gradually led towards the evanescent world of spiritual abstraction displayed in Chinese painting. The development of Chinese painting is based upon the pursuit of the conceptual sense (yijing) found in traditional Chinese philosophy and classical literature. Confucianism determined the content of the development of painting and Daoism guided the concept of aestheticism within that development. In the history of Chinese art, every painter who made a contribution was also moral philosopher who sought the realms of the spirit. It would be no exaggeration to say that traditional Chinese painting is a "higher art" that has the functions of both civilizing the person and cultivating the mind. It is not simply a creation designed to satisfy the visual sense or to express individual emotion. It has always been harmonious, tranquil and restrained.
Reframing Modernism: Painting From Southeast Asia, Europe And Beyond by Lee, Sarah; Sara Siew
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Anatomy Of A Free Mind: Tan Swie Hian's Notebooks And Creations by Yap Su-Yin (Intro)
Tan Swie Hian is the top-grossing living artist in Southeast Asia. Since his first exhibition in 1973 in Singapore, he has been spectacularly prolific. His works have extended to multiple mediums, genres, languages and subject matter. The quadrilingual artist has published 58 works of poetry, prose, stories, songs, criticism, translations, and artworks. In his 2016 exhibition with the National Library Board, Singapore, the paradoxical and sometimes controversial artist offers a gift to his detractors and supporters alike - an insight into his mind. Tan's notebooks take center stage in the exhibition. The collection, never before seen by outsiders, illustrates his deliberations, quotes, discoveries, drawings, and sketches that preceded his artistic creations. The notebooks and creations unveil his openness and his way of accessing multiple realities.
Painted Ceramics: Contemporary Treasures By Jingdezhen's National Masters From The Lamda Foundation by Zhou, Edward (Trans.)
This catalogue is published to coincide with the UMAG exhibition Painted Ceramics: Contemporary Treasures by Jingdezhen's National Masters from the Lamda Foundation. This exhibition introduces Jingdezhen as a manufacturing site for artefacts and it focuses on individual talents and the fame of a few master craftsmen, as well as their history and the uninterrupted production of unique high-quality porcelain objects of inherent beauty. The mastery and endurance of individual painters has left us an array of vessel shapes, compositions and iconographic subject matter that is, at times, both historic and contemporary. Displayed for the first time in public, these forty-four artworks by thirty-eight ceramicists represent the strength and ability of Jingdezhen's artistic community through changing times.
Artist And Empire: (En)Countering Colonial Legacies by Low Sze Wee (Ed.)
Organised by National Gallery Singapore in association with Tate Britain, Artist and Empire: (En)countering Colonial Legacies critically examines the effects of the British Empire through the prism of art. This catalogue accompanying the exhibition underscores the thought-provoking ways in which artist and Empire each affect the other-artists negotiating historical conditions of colonialism in their work, visual representation altering perceptions of the Empire. Essays by exhibition curators and external scholars situate the concept of Empire within broader socio-political discourse, while selected key artworks from the exhibition are paired with curatorial text that illumines concerns underpinning the works. A comprehensive, pull-out timeline spanning the 16th to 20th centuries charts the scope of activities undertaken in the name of the Empire, and contextualises the pursuits of artists from former colonies.
National Gallery Singapore: Art Spaces by Ang, Pauline
Situated in Singapore's two national monuments, the building of National Gallery Singapore balances the need to create a distinct identity for the art spaces with a simultaneous celebration of architectural, cultural and historical significance, telling a story of competition, challenges, preservation and innovation.
Spirit Carvings Of The Mah Meri Of Malaysia by Crowe, Peter
Over the years the Mah Meri have become noted for producing extremely fine spirit carvings made out of wood sourced from the mangroves. This book contains photographs of an extensive collection of some of these Mah Meri masks and sculptures. Apart from a brief history of the Mah Meri and the background to their spiritual beliefs, this book also delves into the background of the carvers who produced these works of art, historically and up to the present. There are now an increasing number of international collectors of these works of art. This affords the Mah Meri an opportunity to earn a living at a time when they, in common with other groups of Orang Asli, find their lifestyle coming under increasing threat from outside influences. Spirit Carvings of the Mah Meri seeks to preserve the designs of the carvings produced by this talented people.
Black And Red: The Art Of Pak Samad by Dinsman, Chan Yong Sin
Pak Samad is a much celebrated Malaysian poet, writer and activist. He is also an unassuming modern artist who has had a few solo exhibitions under his belt at a number of important art venues over the years. His works, mostly ink drawings and paintings on paper expressed in the abstract and expressionist idiom, reflect his private thoughts and observations on life, capturing the intense moments in socio-political situations or events which he has become an ardent participant in recent years. The exhibition showcases more than 40 piece of ink on paper works selected from the private collection of Helmy, Pak Samad's son who is also entrusted with the publication right of his huge body of literature since 2003.